Montreal Mirror called the film “disturbingly funny” which I think hits the nail right on the head. Director Adam Reider to attend screening. Details found at the official website: http://www.mascara-popcorn.com/

Making the Band, the second feature film by Ugandan-Canadian couple Phad Mutumba (director) and Xena Zandrah Bantarizah (producer) has won multiple awards at the prestigious Zanzibar International Film Festival. The film won the Chairman’s Award from chairman Martin Mhando who said of the film, “This is a Knock Out! Emotionally charged and that’s what Zanzibari / African audiences will resonate with… Absolutely a charm.”  This is the second year in a row Phaz Motion Pictures has picked up this award, the 2010 one going to the feature “My Policy”.

Making the Band also won the award for Best Score, awarded jointly to director Phad Mutumba and composer Jawad Chaaban. In addition to being an up and coming filmmaker, Mr. Mutumba is also a singer songwriter, and contributes many songs to the soundtrack, and worked with Chabaan to re-record some African classics with the rest of the cast.

The lighthearted drama follows four young woman trying to make it big in the music world with their Afro-pop band based in the most unlikely of places: chilly Montreal, Canada. When the girls unsuccessfully try to balance their day jobs, love lives, and band responsibilities, tensions flare and threaten to break up not just the band, but their close friendships as well.

Producer Bantarizah and lead actress Whitsa Jean were in Zanzibar to accept the awards. The Haitian-Canadian Jean, who has sung back up to Empire Isis, Catburglaz, and Mitsou to name just a few, also contributed to the soundtrack along with the other leads Kim Nelson and Linda C. Lerato.

Making the Band was produced by Simpli Phaz Entertainment, and produced in association with Green Dragon Productions, and Rail City Media.

My short film Going Through the Motions is again available to be seen on the RCI site. This project was an experiment of sorts, a documentary – fiction. We shot it in a couple of days and edited in one before sending it out, so looking back it’s pretty rough. But it has some nice moments. Shot about four years ago, it’s also the first fiction film I made with my HVX / Cinevate Brevis combo, somewhat before I knew how to use it.

Sydney Lutchmedial playing cricket

Happy Birthday to actress Helen Koya of MTB!

The screenings are from all reports going excellently all the way out in Zanzibar, which is great to hear (but only slightly dulls the pain of not actually being able to go out to Africa). Toiling away, in admittedly beautiful summery Montreal, Jawad (sound) and I put together a trailer for the film. Enjoy!

Lynda Lerato as Christy, Whitsa Jean as Shabella , Kim Nelson as Annitah

Even as we rush the fine cut of the film, we took some time to take some promotional photographs of the cast a few days ago. Graphic Designer extraordinaire Jessica Burt of UrbanHanded Works is designing ours, and she is hard at work putting something together as I type. She also did the poster for “My Cultural Divide” for me back in ’06.

So here are a couple of the photos I took, but lots and lots more to come.

Lynda Lerato as Christy, Whitsa Jean as Shabella , Kim Nelson as Annitah

Director Phad Mutumba and Producer Xena Bantarizah just got word that their feature comedy / drama “Making the Band” will be the opening film to the 2011 edition of the Zanzibar International Film Festival. For those who are keeping track, I served many roles in this production: screenwriter, cinematographer, and editor, as well as playing a producer role in the background. Oh, and I even filmed myself in a cameo.

Actors Helen Koya, Lynda Lerato, Kim Nelson, and Whitsa Jean

It’s a great honor to be playing at this festival, the most important for East African films, as both Phad and Xena are immigrants from Uganda, right next door to Tanzania. They are obviously overjoyed, as is the cast and crew, and we look forward to having it screen to what I am sure will be a enthusiastic audience.

A lot of work remains to be done – we only sent them a very rough assembly cut, and the festival happens in about a month. Xena will definitely be going to present the film, and we’re looking into how we can get anyone else (including yours truly) there as well. It would be wonderful if we could present with as many people as possible involved, especially the talented cast who shine on screen.

More information to come on screening times, but we know for sure it will play on opening day, June 18.  Here’s the announcement from the festival.

Director Tamara Scherbak answering an audience question

The cinema was packed, and from all accounts they loved Only Sky & Water, and especially liked how the two films (with The Pirate Tapes) worked well together. Two more showings next weekend – catch it while you can.

Speaking of which, the feature presentation The Pirate Tapes is a startling film that more documents a filmmaker putting himself into mortal danger than investigates Somali pirates. It’s questionable judgement perhaps on his part, but some parts of this life and death account are riveting.

I’ve been editing the feature fiction “Making the Band” for Ugandan-Canadian filmmaker Phad Mutumba over the last couple of weeks, since we wrapped shooting. It’s a very tight schedule so we can get it out to festivals, which is a lot stressful, but the film looks great. It had better be, since I shot it…

Still doesn’t stop me from internally yelling at the DP for shaking the camera at the most inopportune moment, or not framing in a better way. But considering he had only a few lights and usually only 1 other person helping him with the equipment, not bad at all.

Here are a few stills from the shoot, enjoy.

Whitsa Jean as Shabella

Phad Mutumba as Deanno and Adam Reider as the as yet unnamed guitar player

Kim Nelson as Annitah and Shant Sarkissian as Zack in Making the Band

Whitsa Jean as Shabella

Mizinga Mwinga as Aydee and Helen Koya as Lillian from Making the Band

Animation by Eva Cvijanovic for "Little Girl"

Generally the films I make or am a part of take a long time, a great deal of pre-production, and a lot of loving and caring in post. Things don’t always work out that way, case in point, the music video I produced for UrbanHanded Works last month. James Hoffman directed yet another video clip for the United Steel Workers of Montreal, this one funded by FACTOR, and not from the band’s pockets which was nice for a change. The song’s name is “Little Girl” off the album Three on the Tree. Our budget was still quite tight, and we had to call in a few favours, but I have hope that this signals a new stage for the band so next time we can pay our great volunteer crew.

We went from greenlight to production in about three weeks, and James edited the piece in less than 3 days. Our reasons for being rushed were complicated, but basically we had a deadline to send back to FACTOR we didn’t want to try to extend further. It all worked out, and we got the project in on time, which I am very happy about. Deadlines are great because they push us to finally call something “finished” even if we could probably work on it for another few weeks, if not months.

My own short film, Mr. Crab, has taken a long time to produce because I waited for crew to become available and the summer to arrive to shoot. Then in post because I took my time with the picture edit, and gave my musical composer Jawad Chabaan and sound editor Emory Murchison a great deal of breathing room so they could fit in a few other projects. That and festival application season wasn’t upon us. And then… it was.

The result? Rushing at the end. I haven’t worked on a film where we weren’t rushing at the end yet, and I don’t think I ever will. Perhaps it is human nature. We need deadlines to give us a reason to move onto the next project. When you’re an independent artist it can be too easy to work on that project you’ve been nurturing forever, for – well, forever. But there is a bell curve to the benefit that extra time will positively affect the project. Some would argue too much tweaking can hurt a film, and I tend to agree. But where is the healthy balance? I say, make a realistic deadline, and stick to it.

Unless you have to break it, so you can slightly change that shot that has been bothering you for a while. Trust me, I’ve been there.

Cafe with Shabella & Lilian

I do a lot of things for work, my favourite ones being writing and directing. But I also edit, act, produce, and do camera. I occasionally cater the sets I work on too, just for kicks. I always have fun being the cinematographer of a film, even though I usually get someone else (like Osheen) to shoot my own fictions to keep my focus on the actors. I also think he’s far better than me, which is why eventually I’d like to stick to the writing/directing angle. That said, right now I am shooting a feature film for Phaz Entertainment, directed by Phad Mutumba. I edited his and Xena Bantarizah’s first feature, the award winning My Policy (Chairman’s Award at the Zanzibar International Film Festival), and this time I am taking on a lot more responsibility.

Girlfriends chatting after dinner

Phad is making films for the (very) low budget African market, centered in Nollywood, although Phad himself hails from Uganda. Nollywood films have a fairly low production value as a result of some of the features are actually made in as little as a week, which to any other standards would be considered insanity. We’re trying to go a number of steps past that though, and make this something special. It takes a lot more time than a week (more like 10 weekends), but so far the movie is looking really great.

I am very involved in this film. I am the screenwriter too – having rewritten a draft Phad and Xena wrote based on their original concept. Add to that I will be editing – so that’s three roles in one movie, which is why I call myself a Jack of All Trades.

Shabella played by Whitsa Jean

We’re only about a third of the way into the production of this movie, and so far I am really happy with the images  we are capturing. The talent is superb and Phad’s doing a great job getting them ready for some really difficult scenes (did I mention that this is a movie about a musical act?). In any case, considering we only have a handful of lights, and roughly 1-2 other person(s) other than myself working behind the scenes, I am happy with what we’re doing.  More on this film as we move along with the production…