Article in the Trinidad Daily Express newspaper about writer director Faisal Lutchmedial, and his film, Mr. Crab. Text below:

RISING STAR writer-director Faisal Lutchmedial will be visiting for the Trinidad & Tobago Film Festival, presenting his Trini-themed short film Mr. Crab. The Gondry-esque short follows Rishi, a ten-year-old boy that idolizes and fears his imposing father, who tells him stories about the crystal clear waters of T&T.

Lutchmedial recently was interviewed on the Canadian television show Short Film Face Off, where he was able to present Mr. Crab to a national audience. On the show film critic Mohit Rajhans complimented Mr. Crab, “I love the authenticity of the immigrant household, the beaded drapes, and even the way they spoke made me feel like they were definitely a West Indian family… I do give (Lutchmedial) credit for taking on a story I’ve never seen in a short film before.”

Lutchmedial said about his upcoming trip for the TTFF, “My father is from T&T and most of my work is connected to my South Asian and West Indian heritage so I’m incredibly excited about showing Mr. Crab to a Trinidadian audience. I also have two feature films in development that are Trini themed, so I am hoping to meet people to collaborate with while I am there.”

Lutchmedial was just awarded the top prize of the Bell Media Diverse Screenwriters Program, which was a training program / competition designed to help emerging and mid-level film and television writers develop prime-time television series concepts. The television project Lutchmedial is developing is entitled Welcome to Trinidad. The series is a 1-hour television drama-thriller about half-brothers who fight for control over the family business, a rum distillery that neither of them realize is haunted by dark, murderous spirits. Though winning the competition doesn’t mean the series will be made, it does award Lutchmedial the opportunity to work in the writing room of two existing Canadian series for three months.

Lutchmedial’s previous directing credits include the feature My Cultural Divide, a gripping documentary about sweatshop and child labour in the developing world. His last short film, Useless Things won the Writers Guild of Canada English script prize at the Festival du Nouveau Cinema, and aired on the CBC Anthology program Canadian Reflections last year.

Jaisalmer is one of the beautiful locations Path of Light will be filmed in.

The launch of the Path of Light Facebook page has been a fantastic success, with now over 3000 members who will get regular updates on our film, and get to see some interesting posts on Indian architecture, travel, and history.

The feature film, to be directed by Faisal Lutchmedial and produced by Catbird Productions (producer Katarina Soukup) and Green Dragon Productions, will be shot in India and Canada. The reason why we’re focusing on Indian tourism is because the two main characters are both foreigners – one has an Indian heritage, and the other is an outsider drawn in by the country’s history. We’re especially interested in discussing how tourism has changed the landscape of the country, and spread Indian philosophy worldwide. As we get closer to production we’ll be sharing behind the scenes videos, cast interviews, and featurettes on the tourist sites we’ll see in the movie.

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I had the privilege of being invited to the Talent Lab in Iceland this year, and just returned from what was an unforgettable trip. There are many of these “Labs” or “Campus'” around nowadays, all inspired from the original Talent Campus hosted by the Berlinale. This version is more intimate (Talent Campus as an example has hundreds of participants) which was great because I got to know pretty much all of the people who had come from around the world to do the workshop.

Basically the formula is the same no matter where you go. Emerging filmmakers are given lectures or talks by industry professionals, and have the opportunity to engage in conversation with them. It’s great because there are very few other places someone who is not established can chat with filmmakers who have gone through the trials of production time and time again and come out the better for it. We got to meet Academy Award winning director James Marsh, listen to a masterclass by art house icon Bela Tarr, and although it had nothing to do with film, I even got to meet the President of Iceland and the First Lady.

I also took part in a pitch session of the Lab which got me in front of a few professionals to present my project ‘Path of Light’. The pitch went well, and they had lots of questions about the concept, all which seemed to be good signs I am on the right track with this story. The process of just getting that pitch ready has solidified many of the ideas that I have actually – I find it always helps to simply talk your way through issues rather than only dealing with them on paper (or computer for that matter). I didn’t get a chance to show them my ever growing pre-production scrapbook though, which is a shame, because it’s turning into something quite interesting. It’s the first time I’ve put anything like this together, and I think it’s a great way to explore an idea. Thanks to Academy Award winner Danny Boyle who suggested this to TIFF 09 Talent Labber Tamara Scherbak who then passed on the suggestion to me. I didn’t even attend that Lab but still got some great advice!

Beyond the Lab, Iceland is an unbelievably interesting place to visit. I didn’t have nearly enough time to do sightseeing, but one unforgettable trip through the Reykjanes Peninsula by very personable and knowledgeable guide Thorsteinn Gunnar Kristjansson of Salty Tour whetted my appetite to come back. I can truly see why films go out of their way to shoot in Iceland, especially those looking for an otherworldly setting like Ridley Scott did for his upcoming Alien prequel (or perhaps not) “Prometheus”.

All in all, just like it was when I went to the other island seminar (the much warmer Barbados for Caribbean Tales) it was over far too fast. I hope to make it back to this alien world someday, but for now I will have to settle for the the memories I am sure will form into some kind of sci-fi film idea.

Special thanks to the Canada Council for the Arts that awarded me a travel grant to take part.

The moss has been growing for 800 years and it's still only a few inches tall.

I recently attended the Caribbean Tales 2011 Film Festival / Symposium in Barbados and took part in their Content Incubator, developing a television series called “Welcome to Trinidad”. It was a fantastic opportunity and experience.

The trip didn’t start well though. The plane Tamara and I was on from Montreal to Barbados was halfway through the flight when we noticed it turning and descending. Moments later, the captain got on the p.a. and told us that because of a “small crack” in the windshield we were being forced to land early for safety. Not to worry though, it’s just a small crack, everything is fine, we’re all fine, don’t panic. We didn’t, and within half an hour or so, we had landed in Bermuda (of course famous for mysterious vortex-triangle).

t-shirt in Bermuda

When we walked out of the plane I got a glimpse of the crack on the windshield and it seemed as though the small crack had become a giant spider web covering the entire pane of glass to the front of our airplane. I was immediately not perturbed at Air Canada for the early landing that had ruined my schedule.

We waited for about ten hours before we were able to get onto another plane and finally fly to Barbados, and sadly weren’t even allowed to go through customs and enjoy Bermuda; the very sight of the beaches and sun beyond walls of the airport mocked us. But we did get to our destination, and once there had a beautiful time, working hard, but also getting invigorated by the positive and enthusiastic energy that seemed to permeate through all the participants of the Incubator and festival.

Television and Film Production as an industry is somewhat new to the Caribbean, so there isn’t a lot of support in the form of tax credits or production funds there. Given the amount of talent, some raw and some very polished I saw at the festival though, they should be aggressively pursuing this as a valuable sector in their growing economies. I fall somewhere in between the raw and polished filmmaker categories, and I was able to get here thanks to organizations like SODEC, the Quebec Arts Council, and the Canada Council for the Arts who have supported my development and films. It’s been a long road, but now my work plays in festivals internationally, and I am moving toward making fiction features and television (knocking on wood). Governments in the Caribbean should take note: artists aren’t grown overnight, they take a long time and investment to nurture. But the rewards reaped culturally and economically are well worth it.

With help from the mentors at the Incubator my television series is getting to a place where I feel comfortable pitching it (and myself) to anyone who wants to lend an ear. The idea itself was fairly new when I got there but since then I have already written a new draft to the pilot, focused more clearly on the conflict, and developed my characters’ personalities. Moreso, some keen insights from Michelle Materre and other mentors about marketing have made me rethink how I am going to be presenting my newly completed short film Mr. Crab to the world.

Other highlights: A masterclass by Neema Barnette that focused my ideas about long form filmmaking, and how I want to approach both the series, and my feature, Path of Light. Screenings for great local Caribbean films A Hand Full of Dirt, and The Skin. An impromptu birthday party for Tamara with all our new friends, drinks in the hotel courtyard discussing the business of art, basking in the warm sunshine, and morning swims in the sea with bathing racehorses.

This voyage to the Caribbean was magical for me and I am sure will help my career move forward. I’ve already been invited to attend a festival in Trinidad & Tobago, and a couple of producers have asked me to come and DP their work later this year. I definitely have a feeling I will be spending a lot more time in warm waters soon. Which again all goes to show that even though it may be a long and hard trip getting there, the destination is well worth the trouble.

Shashin at Desk

I have been doing a lot of writing lately, trying to get my next projects in full swing before I have finished my last one, which is either a good idea or foolish, I am not sure which.  Regardless, I thought I would share some thoughts about the writing process, and how I go about working on a new script.

I recently saw an interview with Darren Aronofsky (whom I admire greatly) where he said that the first draft of a script should be written in a burst of energy, not taking time to rework anything, and not worrying about it being a piece of garbage.  I tend to agree, however I find it difficult to do so.  I take a little more time on my first draft because it is where I am crafting the story for the first time, although I would be being generous if I was to say that my first drafts are any good.  On the contrary, they are always terrible.

What I have started doing though is giving first drafts to my trusted collaborator and writing partner before even going through it too much myself.  I used to never do this – partially because I didn’t have someone I trusted enough with my raw ideas to give a script to – and mostly because showing someone a first draft can be embarrassing.  It’s like being naked in front of a jury.  A jury that is very critical, and doesn’t hold back about any shortcomings that you may have.

Finding a collaborator like that is like striking gold.  Certainly you can pay for advice and script analysis, but knowing someone who knows you, and what you are probably trying to do, is so much better.  And not to mention free.  But you have to be open to the criticism, and you can’t take it personally.

I think the key to improving at anything is taking criticism well, and knowing where to look for it.  I have gotten loads of criticism from sources I have ignored completely.  And some  that I have taken to heart more than was intended.  Understanding who the person is that is giving the advice is as important as the advice itself, and it is why I treasure good writing partners.

It’s in the second, third, and subsequent drafts where I like to be in any case, it’s where the real shaping and storytelling happens.  It’s where the idea becomes more than a flash in your mind, but a fleshed out fully thought-out story.  It’s where the magic of writing happens: where the tone and pace start to take form.

The script I am writing right now is a feature drama called “Path of Light”.  It’s a story that’s been in my mind for literally years, but once it came out written down on a page, the idea shifted.  I didn’t imagine this story was the one I was going to tell at first, but over time I realized it is the story that I want to tell, and a much more interesting one than I thought of when I had my initial inspiration.  Initial inspiration is beautiful, it’s kind of a full movie told in splendid moments in your mind, one that no one ever gets to see other than you.  Tragic, but dreams are a personal thing, and as similar as it may feel, movie making is not dream making.  That’s the illusion.

I say all of this knowing my professional experience is limited.  I have made a couple of good professional short films, ones that I am proud of.  This would be my leap into long form, and I hope I am ready for it.  When I was much younger I made what amounts to a medium length fiction on video, and consider it a student film since I was just out of school, and had written it then.  I learned quite a bit from the experience, but the main thing I learned was to not go into production if you are not ready.   Not ready because your script is not working, not ready because your idea isn’t fully formed, not ready because your actors aren’t prepared, etc…  Now, as I embark on a true professional fiction feature, I hope I have learned enough lessons to make a film I can be proud of.

And I know it all starts with the script.