James Hoffman recently finished his short film “Things Worse”, which I acted in and produced. We had a cast / crew / friend screening at Montreal Improv last week to watch that and a few other shorts (The Audience & Encounter Abroad by David Eng, Only Sky and Water by Tamara Scherbak, Once Upon a Many Time by Eva Cvijanovic, Where the Heart Is by Adam Reider, and Cry Baby by Gabi Kislat & Emory Murchison) and it was a fantastic show. We also played a few of the music videos James and I have worked on over the years, as well as a number of others by some very talented friends.

I don’t think we do this enough actually – it is so rare that (film & video) friends get together to watch each other’s work. It’s a shame, and I was thinking that perhaps we should make it more of a habit to get together to socialize and watch the things that we toil so long on but so few of us get a chance to see. Film festivals are great and all, but sometimes I just want to see a few films by people I know rather than strangers (regardless of how good they may be).

Normally this isn’t the site for such things, but mobile and internet technology is incredibly important to the media industry, and for too long giant companies have had too much control over pricing by just buying out or destroying the competition. This is good for them, but bad in fostering all the other industries that rely on their services. This petition, put forth by Open Media (.ca) asks Canadians if they want to see more competition. Personally, I do. Much like the stop the meter campaign, this is about fair pricing – and stopping the gouging that has been going on for far too long.

I had the privilege of being invited to the Talent Lab in Iceland this year, and just returned from what was an unforgettable trip. There are many of these “Labs” or “Campus'” around nowadays, all inspired from the original Talent Campus hosted by the Berlinale. This version is more intimate (Talent Campus as an example has hundreds of participants) which was great because I got to know pretty much all of the people who had come from around the world to do the workshop.

Basically the formula is the same no matter where you go. Emerging filmmakers are given lectures or talks by industry professionals, and have the opportunity to engage in conversation with them. It’s great because there are very few other places someone who is not established can chat with filmmakers who have gone through the trials of production time and time again and come out the better for it. We got to meet Academy Award winning director James Marsh, listen to a masterclass by art house icon Bela Tarr, and although it had nothing to do with film, I even got to meet the President of Iceland and the First Lady.

I also took part in a pitch session of the Lab which got me in front of a few professionals to present my project ‘Path of Light’. The pitch went well, and they had lots of questions about the concept, all which seemed to be good signs I am on the right track with this story. The process of just getting that pitch ready has solidified many of the ideas that I have actually – I find it always helps to simply talk your way through issues rather than only dealing with them on paper (or computer for that matter). I didn’t get a chance to show them my ever growing pre-production scrapbook though, which is a shame, because it’s turning into something quite interesting. It’s the first time I’ve put anything like this together, and I think it’s a great way to explore an idea. Thanks to Academy Award winner Danny Boyle who suggested this to TIFF 09 Talent Labber Tamara Scherbak who then passed on the suggestion to me. I didn’t even attend that Lab but still got some great advice!

Beyond the Lab, Iceland is an unbelievably interesting place to visit. I didn’t have nearly enough time to do sightseeing, but one unforgettable trip through the Reykjanes Peninsula by very personable and knowledgeable guide Thorsteinn Gunnar Kristjansson of Salty Tour whetted my appetite to come back. I can truly see why films go out of their way to shoot in Iceland, especially those looking for an otherworldly setting like Ridley Scott did for his upcoming Alien prequel (or perhaps not) “Prometheus”.

All in all, just like it was when I went to the other island seminar (the much warmer Barbados for Caribbean Tales) it was over far too fast. I hope to make it back to this alien world someday, but for now I will have to settle for the the memories I am sure will form into some kind of sci-fi film idea.

Special thanks to the Canada Council for the Arts that awarded me a travel grant to take part.

The moss has been growing for 800 years and it's still only a few inches tall.

Watch Adam Reider’s new short film DP’d by Faisal Lutchmedial.

Coming up soon in Montreal is the North American premiere of Making the Band, a film I co-wrote, shot, and edited. Ugandan Canadian Director Phad Mutumba and fellow producer Xena Bantarizah have created a great film with some very strong performances by a local cast. It’s playing on Thursday September 29th at 9pm, and again at the NFB at October 1st at 4pm. You should go out and support indie film in Montreal!

Get tickets here:

http://www.montrealblackfilm.com/index.php?option=com_k2&view=item&id=82&Itemid=55&lang=en

Useless Things makes its internet debut today after a successful festival run. The script, directed by Green Dragon’s Faisal Lutchmedial, won the Writer’s Guild of Canada English Prize at the Festival du Nouveau Cinema Montreal when it was competing in SODEC’s Cours Ecrire Ton Court.  The film is playing in the National Screen Institute’s Online Film Festival (click for link).

Lutchmedial is currently developing the feature “Path of Light”, which follows some of themes explored in his award winning short.

From the director: “Useless Things, my first professional short fiction, follows themes I began with my feature documentary, My Cultural Divide (2006). You could say I am seeking a better sense of place, of where I am as a Canadian and where my family finds its roots. When does our family’s expectations and history fade and become fused with us? What part of their culture do we take when they are gone and all we’ve known is the new world?

Useless Things is not an autobiography. The character Shashin is not me, although physically I inhabit his space. I think in some ways the Hindu subtext is more real, the larger than life gods and demons that I identified with in some way and wrote about.

Throughout the film there are visual references to Rahu, the serpent demon attempting to swallow Soma (the moon), the elixir of eternal life. Shashin finds himself in shadow, as the moon does during the eclipse, and is always trying to move toward the light of both his mother (Savita – or Surya) or his girlfriend Agnis (Agni).

To enrich the film beyond the surface story, my team and I attempted to use these and other metaphors throughout all of our planning of lighting, art design, and shot composition.

Now that I look back after having recently completed my second short film Mr. Crab (2011), I am very proud of the work we did here. Our goal was to create something intimate, dreamlike, and touching, and I think we succeeded.”

Watch the film here:

Adam Reider’s disturbingly funny short film Dog Sitter played at the Fantasia Film Festival last night. The screening had a great big crowd of genre loving filmgoers who loved the selection of movies. The weekend of short Quebec films was put on for free which was a really nice touch by the festival and the sponsors.

Director Adam Reider and producer Faisal Lutchmedial

Mimes! Lots and lots of Mimes! The Nina Slash music video for “Candy Box” is now online. Green Dragon’s Faisal Lutchmedial did the cinematography, with Adam Reider directing.

Useless Things, which will be premiering this Sunday (24th of July) at midnight on Canadian Reflections (CBC), was made a couple years before the HD DSLR revolution we are still living in. It’s possible that if we made it later, we would have shot on a 5D, or more likely a RED, but we were able to accomplish quite a bit with the HVX / Cinevate Brevis combo that is featured in the “making of” below. In fact, after a screening in Toronto (for the ReelWorld Film Festival) a Kodak rep asked if we shot on film, which to me was one of the best compliments we could have gotten.

I have my issues with HDSLRs, mostly because of the codec and compression, but the images you can get with them can definitely be spectacular.  I think the key is know your camera well, no matter what you might be shooting with.

CBC anthology program Canadian Reflections will be broadcasting the award winning (Writers Guild of Canada English script prize Festival du Nouveau Cinema) short drama Useless Things written, directed and starring Faisal Lutchmedial Sunday July 24th, 2011 at midnight. This will be the short film’s broadcast premiere, and it will be playing with a short comedy called King Chicken directed by Nicholas Bolduc.

Useless Things follows the thoughts of Shashin (played by writer / director Faisal Lutchmedial), a second generation immigrant struggling to find his identity following the loss of his parents (Ranjana Jha and Anshu Pathak) . His girlfriend Agnis (Erica Smith) pushes him and asks the hard questions while we follow his thoughts about his chosen path, memories of his family, and dreams of Hindu mythology.   As he goes through boxes Shashin begins to find meaning in the seemingly insignificant odds and ends that fill the cold house that once was his home.  Taking us backward and forward in time to follow his memories, Useless Things is a dreamily crafted journey of forgiveness, enlightenment, and self-discovery.

Useless Things was produced by Peripheria Productions, and supported by SODEC and the NFB FAP program.

Erica Smith and Faisal Lutchmedial in Useless Things

The short was also accepted into the NSI Online Short Film Competition, and will be playing in that series sometime in the next few months. More information on that soon. For now, enjoy the trailer for the film here.